Chris (Daniel Kaluuya), a young African-American man, is a little nervous. He’s going to visit the parents of Rose Armitage (Allison Williams), his white girlfriend. Rose is relaxed about the trip, but Chris is a little anxious. His anxiety proves justified shortly into the trip.
Upon arrival at her large estate, her parents like Chris. They really, really like Chris. Actually, parents Missy and Dean (Catherine Keener and Bradley Whitford) like Chris at a level that’s a bit unsettling. Chris shrugs it off at first, as does Allison, but strange things start happening.
Writer-director Jordan Peele, the comedic performer from TV’s Key & Peele, and the adorable, funny cat movie Keanu, delivers a huge cinematic surprise with Get Out, a twisted, darkly satiric, nasty little horror film that pulls no punches when it comes to race relations and dating. Peele has cited Night of the Living Dead and The Stepford Wives as inspiration for this journey to the dark side of his creative soul.
Those films’ influences are detectable, and I’d say you could throw in a pinch of Rosemary’s Baby with a side of Being John Malkovich as well.
Two of the hardest things to accomplish with a movie are to make people laugh and get them legitimately scared. Get Out manages to do both for its entire running time. Peele takes taboo subjects and stereotypes and doesn’t let his pen get restricted by fear of offending anybody. This is an appropriately evil, scabrous movie.